Whiskeytown don’t need no stinkin’ badges

WTNYEHere’s something that turned up recently, a long-ago token I’d forgotten all about. It’s a laminate designed by Whiskeytown drummer/noted graphic artist Skillet Gilmore, and it dates back to the band’s interminable period of limbo in 1999 after recording what eventually came out as the album Pneumonia in 2001 (more about that time is in “Losering” — Chapter 11, fittingly enough).

While the band waited around for its fate to be decided after the Universal/PolyGram merger vaporized its label Outpost Records, Ryan Adams played a solo tour that included a handful of epic Triangle shows in the fall of ’99. Whiskeytown was winding down and becoming less and less of a going concern as the stalemate dragged on; but the band was booked into Cat’s Cradle nightclub in Carrboro for a New Year’s Eve show on Dec. 31, 1999.

Even with Y2K paranoia in the air, a full house turned out that night hoping to hear some of the new songs from Pneumonia. None were in the setlist, but it was a fine evening nevertheless. What I remember most about the show was Ryan serenading Skillet and his fiance Caitlin Cary with the Faithless Street song “Matrimony,” singing it in his best Jagger-esque cockney yowl after introducing it with a disclaimer: “Alanis Morissette is not ironic; this is ironic.”

Whiskeytown hadn’t played a local show in a while, and this one was deemed to be enough of a big deal for the band to do up a few of these “LIMITED PRESS ACCESS” laminates. They were kind enough to give me one, although all these years later I cannot recall what access it granted. But I’m glad to still have it.

 

 

 

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