Posts Tagged With: Alison Krauss

Ryan Adams’ “Prisoner” — Crazy 8’s

DRACWAK.jpgIn terms of reviews, Ryan Adams’ Prisoner stands as his best-received album in quite some time, picking up glowing notices far and wide (even from the likes of cynical old me). But all that acclaim has not translated into a U.S. chart breakthrough, at least not yet.

In the March 11 Billboard 200 album-sales chart, Prisoner debuts at No. 8 with 45,000 copies sold, which puts him right behind veteran R&B man Charlie Wilson and ahead of Alison Krauss. A top-10 debut is a good showing, but this is still short of the No. 4 debut and peak of 2014’s Ryan Adams, which also sold 45,000 copies in its first week in September 2014; as well as his Taylor Swift 1989 tribute, which opened with 56,000 copies out of the gate in September 2015 to debut/peak at No. 7.

Of course, when it comes to sales figures and chart positions, the long game of where you finish is ultimately a lot more important than where you start. Ryan Adams debuted high but quickly dropped off the charts, eventually selling 134,000 copies in its first year of release. 1989 followed a similar pattern and hit 115,000 in sales.

We’ll see where Prisoner stands a year from now.

UPDATE (3/7/2017): So far, Ryan’s debut-high-and-fall-fast pattern is holding true to form. Week two finds Prisoner plummeting all the way down to No. 54 on the March 18 Billboard 200.

UPDATE #2 (3/14/2017): Falling even faster — down to No. 132 in week three, the March 25 chart.

UPDATE #3 (3/21/2017): Well, that was quick! After just three weeks on the Billboard 200, Prisoner falls all the way off and is nowhere to be found on the April 1 chart.

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Coming in 2017: “Woman Walk the Line”

UTPressLogoWith Lloyd Sachs’ “T Bone Burnett: A Life in Pursuit” safely launched, we turn to the next book in the American Music Series, which will be the 11th that University of Texas Press has published since 2012. And that’s “Chrissie Hynde: A Musical Biography,” by Adam Sobsey; we’ll have plenty more to say about it closer to the March 2017 publication date. Meanwhile, there’s also some American Music Series news beyond that.

Coming in the fall of 2017 is “Woman Walk the Line: Women Writers on the Female Country Artists Who Marked Their Soul,” which will be something of a departure for the series. Up to now, it’s been all critical biographies by a single author and about a single subject. But “Woman Walk the Line” is our first essay collection by multiple authors. Subjects include a wide range of artists from classic to contemporary — Rosanne Cash, Taylor Swift, Loretta Lynn, The Judds, Alison Krauss, Bobbie Gentry, Tammy Wynette — with Cash, Swift, Holly George-Warren and Meredith Ochs among the contributors writing about why these artists matter.

Overseeing “Woman Walk the Line” as editor is Holly Gleason — a long-time critic, author and Nashville insider who is also the only music critic I know with a co-writing credit for a No. 1 hit (Kenny Chesney’s 2008 country smash “Better as a Memory”). Between her connections, critical chops and deeply passionate writing voice, there’s no one better to edit a book like this.

“‘Woman Walk the Line’ came about because it feels like we’re not just in danger of losing the story of so many incredible artists, especially the women, but that deeper sense of what music can truly to mean to someone in their life,” says Holly. “The way this music and these women are written about says so much about the way music marks our lives, shapes our journey or keeps us safe in rugged times. It’s women of varying ages all writing about how music touched and changed their lives — part witness, part love letter, a bit of music criticism, a little history and a whole lot of heart. It’s more than what they wore or who they dated, as today’s reductionist media makes it. And that’s where the marrow of these essays begins.”

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You could look it up: T Bone Burnett also on the way for 2016

Madonna and Mary J. Blige aren’t all that’s coming from the American Music Series in 2016. Also now officially in the pipeline is a book on T Bone Burnett, the mystic auteur behind “O Brother, Where Art Thou?” and the Robert Plant/Alison Krauss collaboration Raising Sand, among many other Americana signposts. Scheduled for fall 2016 on University of Texas Press and tentatively titled “The True True Identity,” it’s written by the Chicago-based critic Lloyd Sachs. Upon receiving word this week that he had attained final approval (a process that can indeed be something of an ordeal), Lloyd marked the occasion as one does nowadays — on Facebook, with the post below. Congratulations, Mr. Sachs.

LSTBB

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Frog Trouble for Ryan Adams: When pigs fly

FrogTroubleWell, there’s still no definitive word on Ryan Adams’ next album — if it’s coming out anytime soon, or even whether or not it’s already finished. Even so, he’ll be on at least one release this fall, the upcoming fifth album by the noted children’s author Sandra Boynton. Titled Frog Trouble…and Eleven Other Pretty Serious Songs, it’s Boynton’s first country album and features a dozen Boynton-penned original songs sung by a wide array of big-name guest vocalists including Ryan and his fellow North Carolina expatriate Ben Folds. See the track list below, and look for Frog Trouble on September 3.

1. I’ve Got a Dog, Dwight Yoakam
2. Trucks, Fountains of Wayne
3. Frog Trouble, Mark Lanegan
4. Heartache Song, Kacey Musgraves
5. When Pigs Fly, Ryan Adams
6. Broken Piano, Ben Folds
7. Copycat, Brad Paisley
8. End of a Summer Storm, Alison Krauss
9. Alligator Stroll, Josh Turner
10. Beautiful Baby, Darius Rucker
11. Deepest Blue, Linda Eder
12. More Frog Trouble, Falls Mountain Cowboys (a fictitious group)

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