I’ve had a blast on the “Comin’ Right at Ya” promotional front this month, including a very nice event Wednesday night at Quail Ridge Books in Raleigh that drew a kindly attentive full house. I read a bit, took questions and repeated some of Ray Benson’s jokes, which tend to be a lot funnier than my own jokes, so it worked out great. Of course, I also couldn’t let the crowd go without getting in a plug for Kristin Hersh’s “Don’t Suck, Don’t Die: Giving Up Vic Chesnutt.” I even told them that if they could only buy one book, it should be that one instead of mine (sorry, Ray, but know that we sold plenty anyway).
Everyone in the University of Texas Press orbit is still pulling for “Don’t Suck, Don’t Die” and the rest of our current titles to break out. Hope springs eternal, but pretty much all of that is out of our hands at this point. Meantime, work continues on getting the next round of American Music Series books out into the world. Coming in March are two books that will, at the very least, break us out beyond the Americana universe; and we have final titles and cover art on both.
“Madonnaland And Other Detours into Fame and Fandom” is the third book by the fabulous Alina Simone, with a nice pink cover and a terrific testimonial blurb at the bottom from cabaret icon Amanda Palmer. You probably can’t read that here without a magnifying glass, so I’ll spare you the trouble:
“A profound and hilarious stream-of-consciousness funfair ride through the postmodern theme park of super fans, celebrity, taste, and capitalism.”
Nice! More to follow, I hope.
Alongside “Madonnaland” next spring, we’ll also have Danny Alexander’s “Real Love, No Drama: The Music of Mary J. Blige” (which, title aside, nevertheless has a very dramatic cover). I’d say this is the most ambitious critical appraisal of the Queen of Hip-Hop Soul’s catalog that any writer has ever attempted. And I can’t wait for other people to get to read both of these.