A few months back, I heard from Scott Ambrose Reilly, an old friend I first met many long eons ago back when he was managing roots-rock madman Mojo Nixon and answering to the name “Bullethead.” Nowadays, he’s involved in a very cool and offbeat new music series called Solo Sounds, which digitally releases cover versions of classic albums with the songs remade as solo instrumentals. His partner is longtime roots-rock god Eric “Roscoe” Ambel, and each Solo Sounds project comes with an unexpected twist — Fleetwood Mac’s Rumours as played on cello, Bob Marley’s Legend on marimba, Squirrel Nut Zippers co-founder Jimbo Mathus rendering the classic 1984 Replacements album Let It Be as solo blues guitar and so forth.
Scott told me they wanted to give Ryan Adams the Solo Sounds treatment with a set of his songs transposed to piano, an instrument Ryan rarely plays. So they came to me for input on which of his albums to cover, and that turned out to be a deceptively hard decision. The obvious choices would have been either Ryan’s 2001 commercial high-water mark Gold, or Whiskeytown’s 1997 magnum opus Strangers Almanac; but somehow neither felt quite right for this. So I suggested a third option, a Ryan Adams album that doesn’t actually exist: 29 Cold Jacksonville Roses.
As recounted in Chapter 16 of “Losering,” 29 Cold Jacksonville Roses is my 2005 mix for Ryan — an imaginary best-of with songs cherrypicked from the three albums he released that year (Cold Roses, Jacksonville City Nights and 29). Now I realize that the very idea of carving these albums up like this remains the ultimate act of apostasy in some quarters of DRA super-fandom. Nevertheless, I found it a fun exercise to select a track list and running order, imagining what might have been if these songs had been recorded as a single album-length unit.
Thanks to Solo Sounds, the Spotify playlist that was 29 Cold Jacksonville Roses now exists as Selections From Ryan Adams’ 2005 Trilogy, an actual unified body of work. The artist is Bette Sussman, a pianist with a long and illustrious resume — that’s her playing piano on Whitney Houston’s 1992 version of “I Will Always Love You,” which was one of the biggest hits of all time. She shows a spare and elegant touch throughout Selections, beginning with the Cold Roses kickoff “Magnolia Mountain” and ending with 29’s “Night Birds,” and I think these versions have a nicely elegiac feel and a lovely flow from track to track.
Selections From Ryan Adams’ 2005 Trilogy is the third Solo Sounds album that Sussman has recorded, following a set of Elton John’s greatest hits and Leonard Bernstein’s “West Side Story” soundtrack. The project also served as her introduction to Ryan, who she was not at all familiar with before being enlisted to cover his songs.
“That’s one good thing about this project, learning about people like him,” Sussman says. “I’m now a fan of Ryan Adams and I think he’s quite brilliant. Harmonically, this was a little simpler and easier to interpret than something like ‘West Side Story,’ which was about the hardest thing ever. But I really enjoyed learning this material and putting my spin on his songs.”
The release date is March 24, and you can check out some samples here.