Posts Tagged With: Hiss Golden Messenger

Kissa me baby

CamRaleighAs a deejay, I think I’m a decent writer. Nevertheless, for the first time ever I’m going to give actual live, public deejaying a whirl this week at the Contemporary Art Museum in downtown Raleigh. As part of the museum’s current “Big Bent Ears” (which is billed as a “multimedia installation about listening,” showing at CAM until Dec. 3), exhibit co-curator Sam Stephenson is inviting different people to come in for guest-deejay shifts. My turn in the rotation will be 8-10 p.m. this Thursday, Sept. 24.

The guest-deejay part of “Big Bent Ears” is called Kissa, referring to the listening salons that originated in Japan in the 1950s. These deejay shifts have been happening at CAM since early June, tapping a wide range of guests including Whiskeytown alumni Steve Grothmann, Caitlin Cary and Skillet Gilmore, plus Branford Marsalis and members of Hiss Golden Messenger, Chatham County Line, Superchunk, Mountain Goats, CousinsArt of Cool and other local-music notables.

My playlist is still a work in progress, but I expect it will have a song or two from Asleep at the Wheel and Ryan Adams/Whiskeytown. And since the preferred Kissa medium is vinyl, I’m going to do my best to make my shift an all-vinyl experience. Not playing anything on compact disc will impose some limitations, of course. But as you can see from the picture at the bottom, at least I’ve got a decent amount of vinyl to draw from. Come on out…

EPILOGUE — and here’s what I ended up playing:

1 – Peter Case, “Steel Strings”
2 – Tift Merritt, “Mixtape”
3 – Marvin Gaye/Tammi Terrell, “Good Lovin’ Ain’t Easy to Come By”
4 – Pete Townshend, “Mary”
5 – dB’s, “Black and White”
6 – Vincent Guaraldi, “Cast Your Fate to the Wind”
7 – Josh Moore, “May It Ever Be”
8 – Don Henley, “Bramble Rose”
9 – Whiskeytown, “Heart Is Broken”
10 – Little Feat, “Easy to Slip”
11 – Asleep at the Wheel, “House of Blue Lights”
12 – Del Lords, “Love Lies Dying”
13 – Sly & the Family Stone, “Luv N’ Haight”
14 – Big Audio Dynamite, “Relativity”
15 – Kinky Friedman, “Sold American”
16 – Feelies, “Everybody’s Got Something to Hide (Except Me and My Monkey)”
17 – Spinners, “One of a Kind Love Affair”
18 – Ry Cooder, “She’s Leaving the Bank”
19 – China Crisis, “Wishful Thinking”
20 – Ryan Adams, “Magnolia Mountain”
21 – The Balancing Act, “Adventure”
22 – Let’s Active, “Counting Down”
23 – T-Bone Burnett, “Quicksand”
24 – The Lucy Show, “A Million Things”
25 – Peter Case, “Satellite Beach”
26 – Drive-By Truckers, “Heathens”
27 – Tift Merritt, “Papercut”
28 – Robyn Hitchcock, “Madonna of the Wasps”
29 – Sam Phillips, “Out of Time”
30 – R.E.M., “Perfect Circle”
31 – Ryan Adams, “Hey There Mrs. Lovely”

VinylStacks

Categories: Uncategorized | Tags: , , , , , , , , , , , , , , , | Leave a comment

Ryan Adams picks up Bloodshot, while the NC Music Love Army sticks to the plan

BS20Ryan Adams released just one full-length on Bloodshot Records, but that album was a doozy — his 2000 solo debut Heartbreaker, which (as recounted in chapter 12 of “Losering”) cracked 300,000 copies in U.S. sales. That’s the Chicago-based alternative-country label’s commercial high-water mark by far, with albums by Neko Case, Justin Townes Earle and Alejandro Escovedo next in line. All these years later, Heartbreaker remains Bloodshot’s top seller even though the label’s licensing agreement for it expired last year, which means that Heartbreaker is officially out of print nowadays. That probably won’t be changing anytime soon, either. When I inquired with Ryan’s publicist about whether or not a reissue was in the works, the answer that came back was, “There are no plans that I’m aware of” (and she would know).

Nevertheless, Heartbreaker remains a big part of Bloodshot’s history. So it’s no surprise that its songs dominate While No One Was Looking: Toasting 20 Years of Bloodshot Records, a two-disc Bloodshot tribute album set to be released Nov. 18. While No One Was Looking compiles 38 covers of songs from Bloodshot releases, with versions by luminaries including Ted Leo, Handsome Family, Minus Five and the regrettably named (but still quite good) Diarrhea Planet. Four songs on the track list came from Heartbreaker, more than any other album in the Bloodshot catalog:

* “To Be Young (Is to Be Sad, Is to Be High)” — performed by Blitzen Trapper from Portland, Ore. (thanks, Erin!)
* “My Winding Wheel” — Seattle indie-folk duo Ivan & Alyosha
* “Come Pick Me Up” — Superchunk
* “Oh My Sweet Carolina” — San Francisco’s Nicki Bluhm & the Gramblers

You can listen to the very fine Blitzen Trapper cover below, and the versions of “Sweet Carolina” and “Winding Wheel” are also both quite lovely. But the real revelation is Chapel Hill punk band Superchunk’s “Come Pick Me Up” — take a listen to the stream on Pitchfork — which revs up the original’s dirge pace to a fast and gleeful raveup (stoked by Whiskeytown alumnus Jon Wurster on the drums). Covering Ryan’s Heartbreaker songs is getting to be a thing for Superchunk guitarist Mac McCaughan, who similarly recast “Oh My Sweet Carolina” with his other band Portastatic for another tribute compilation a few years back.



Even beyond the four Heartbreaker songs, Ryan casts a long shadow over the rest of While No One Was Looking. In terms of both songs and performers, the album is littered with Ryan’s former collaborators (Caitlin Cary, Alejandro Escovedo) and rivals (Robbie Fulks, Old 97s). Superchunk isn’t the only act from Ryan’s home state of North Carolina, either; there’s also Hiss Golden Messenger, Dex Romweber Duo and most of all the North Carolina Music Love Army — featuring Ryan’s old Whiskeytown bandmate Caitlin, head Backslider Chip Robinson and 6 String Drag’s Kenny Roby — turning Graham Parker’s “Stick to the Plan” into something like an ironic latterday answer to the old Kennedy campaign theme “High Hopes,” describing a certain political party’s apparent we-know-best attitude:

Don’t pay no attention to what the experts say
Too much intelligence gets in the way
Yeah it gets in the way
You know it gets in the way
And if you wanna be happy
Be like Forrest Gump everyday.

NCMLA14The NC Music Love Army has been busy this fall in conjunction with the upcoming midterm elecitons. One of the nation’s marquee contests is North Carolina’s U.S. Senate race between incumbent Democrat Kay Hagan and Republican challenger Thom Tillis — a brutal and interminable campaign that’s on course to be the most expensive in history, with total spending expected to top a staggering $100 million. To raise spirits, awareness and turnout, the Love Army crew has been putting out new songs that can be heard here. The most notable of the new tunes is an environmental anthen called “Senator’s Lament,” in which Caitlin Cary’s fiddle features prominently. The lyrics are below.

“Senator’s Lament”

There are places in the ocean
They are dark and sacred still
We cannot reach them
But we can ruin them
With a greed no sea can fill.

Oh green mountain, her bones are older
Than the pillars of any town
But we move her with our big plans
Dig out her heart and steal her gown.

Oh Carolina, how I love you
And your ever-changing ways
I didn’t see how much I hurt you
I only hope I’m not too late.

There are children in the harvest
Their backs are bent to rain and sun
And we profit while they’re poisoned
When they fall, don’t no one come

There are places in the ocean
That are dark and sacred still
We can’t reach them, but we can leave them
And we can ask this land to forgive
We can ask this land to forgive
We can ask this land to forgive…

Categories: Uncategorized | Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Create a free website or blog at WordPress.com.