When the American Music Series first started up in 2012, there were two co-editors — my old chum Peter Blackstock, and me — working with Casey Kittrell at University of Texas Press. Peter and I functioned as frontline gatekeepers, trying to coordinate authors and subjects with Casey as in-house acquisitions editor, and I think we got the series off to a solid start with books about Dwight Yoakam, Merle Haggard, Flatlanders and (ahem) Ryan Adams.
But then Peter’s career circumstances changed drastically when the Austin American-Statesman hired him as music critic. Austin is Peter’s hometown and this is his dream job, so I was thrilled for him, of course. But the Statesman’s music beat proved to be so all-consuming that Peter had to bow out of the AMS co-editorship in 2014, leaving Casey and me to carry on as best we could.
We’ve done our best to push things forward and diversify the series beyond its original Americana focus, with books about Madonna, Chrissy Hynde, Mary J. Blige and (coming next spring) Chris Stamey. But it’s been clear for quite some time that moving up to the next level was going to take new blood on the editorial side of things, which I’m delighted to say that we now have.
UT Press announced this week that two new American Music Series editors have signed on: Jessica Hopper, whose books include 2015’s “The First Collection of Criticism by a Living Female Rock Critic”; and California State University professor Oliver Wang, author of 2015’s “Legions of Boom: Filipino American Mobile DJ Crews in the San Francisco Bay Area.” Both have super-impressive credentials beyond the books they’ve written, and they’re already at work on extending the series’ stylistic reach even further. As Jessica puts it:
Welcome aboard, y’all. Let’s do this.