Posts Tagged With: Jim DeRogatis

Ryan Adams wants you to know, he’s sorry

Mountain1037Musicians spend endless amounts of time sucking up to radio for one simple reason: It’s impossible to get to the toppermost of the poppermost without a ton of airplay. That’s as true today as it was in the spring of 1998, when Whiskeytown was on the road still pushing its 1997 album Strangers Almanac even though Ryan Adams was pretty much over that record and tired of playing its songs by then (more about that is in chapter 10 of “Losering”).

But at the record company’s behest, Whiskeytown rolled into Seattle on Feb. 13 of that year and went to the local “Adult Album Alternative” station “The Mountain,” 103.7-FM, to play its Mountain Music Lounge show. Seventeen-plus years later, Whiskeytown road manager Thomas O’Keefe calls the band’s appearance there “ill-fated,” but it was more like an epic catastrophe thanks to various misbehaviors by Ryan. Between Ryan refusing to answer questions and flipping off the host, let’s just say it probably didn’t result in many extra spins of Strangers Almanac songs on that station.

There was, however, a belated semi-happy ending. More than nine years later, in July 2007, Ryan went back to that station to play “I’m Sorry Marty” — a contrite yet funny song of apology he’d written for Marty Riemer, the deejay Ryan antagonized at that 1998 event. Somehow I’ve never heard this one until now. But take a listen below; I think of it as the flipside of Ryan’s Jim DeRogatis phone call from a few years earlier.

I also have to say that I find the line “not just an asshole but a whole ass” particularly poetic.

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“Losering: The Songs of Ryan Adams” — wish you were here

DMMCBack in Whiskeytown’s prime, I really wanted them to break through to widespread popularity, which seems a bit odd in retrospect. Sure, it would have been fun to watch from close range; but I can’t say why I was rooting for them beyond a vague belief that a large audience was going to provide some measure of validation. There was closure that only a large crowd singing along with “Sixteen Days” was going to provide.

Fittingly and belatedly, that happened last night, sort of. The fine folks at Deep South The Bar in Raleigh put together a tribute show inspired by my book, “Losering: The Songs of Ryan Adams,” and I got to emcee. And about halfway through the show, while members of the band Old Quarter were playing “Sixteen Days” — the song I thought was going to be Whiskeytown’s big breakout hit way back in 1997 — I was hollering along with everyone else in the soldout house and feeling chills about the experience.

Ghost has got me running
Away from you, away from you, awaaaaaay…

It was a truly wonderful night, very much a feeling of being among friends and fellow fans; as much a tribute to the milieu Ryan came out of as to Ryan himself. There were multiple highlights, some of which went like this:

Aaron Menconi, shortly before asking why he started that damn country band.

Aaron Menconi, shortly before asking why he started that damn country band.

The Equivocators — Featuring my dear friend Scott Huler, they kicked things off with three songs from Whiskeytown’s Faithless Street album; “Midway Park,” “Hard Luck Story” and the title track. When Scott got to the “started this damn country band” line, I coached my 18-year-old son Aaron to yell out, “Why’d you do that?”

David Teeter (from the band Martha Ann Motel) — He brought out a couple of more recent Ryan solo songs, “Shadowlands” and “Desire.” And to make the absent guest of honor seem more present, David also played the recording of the infamous Jim DeRogatis voicemail, a legendary moment in artist-critic relations. Guffaws all around.

Ryan Kennemur — Continuing in a humorous vein, Ryan gave a nod to Mr. Adams’ touchier side by belting out a bit of Bryan Adams’ “Summer of ’69.” Then he got down to business, and his versions of “Turn Around,” “Avenues” and especially “If He Can’t Have You” were outstanding.

John Booker and Rachel Hirsh (I Was Totally Destroying It) — Major props go to John, who did a fantastic job with booking the acts for this show. And he and his bandmate Rachel did great with four songs — “Everybody Knows,” “Call Me On Your Way Back Home,” “Don’t Be Sad” and “Firecracker.” There was an enthusiastic audience sing-along on the latter song, and John needled me a bit for not giving it and the rest of Ryan’s Gold album sufficient respect in the book. Touche! Danny Johnson, who plays in about a thousand other bands, sat in.

Bobby Bryson — I’d never heard Bobby before, and he might have played my favorite set of the night with stellar versions of “A Kiss Before I Go,” “Let It Ride” (also much audience singing along here) and “Carolina Rain.” He showed absolute command instrumentally as well as vocally, and I loved his stage presence. Afterward, he presented me with a business card carrying the slogan Songs that gently rip your heart out. I believe it.

DeepSouthCharles Marshall and Richard Bolton (Balsa Gliders) — They put a couple of Strangers Almanac-era Whiskeytown classics through some unusual paces, quieting down “Waiting to Derail” and rocking up “Avenues.” Very cool, inventive versions that they clearly put some thought into.

John Massengil, George Hage and Danny Johnson (Old Quarter) — The aforementioned “Sixteen Days” sing-along went over great. So did “Jacksonville Skyline” and a lovely reading of “Houses on the Hill.” Meg Johnson sat in on vocals (and also with Jack the Radio). Felt like being at the Brewery back in the day.

Jack the Radio — Speaking of sing-alongs, there was a raucous one on “Come Pick Me Up,” maybe the most exuberant of the night. “O My Sweet Carolina” and “Lucky Now” rounded it out.

Adam Lane and Jeff Mullins — Ryan Kennemur returned for an exceptionally sweet harmony vocal on “Desperate Ain’t Lonely” (which they rehearsed once, outside in the parking lot, and Ryan had to read the lyrics off his phone — perfect). They also offered up a couple of nice rarities, “Onslow County” and “Oh My Sweet Valentine,” which never fails to put a lump in my throat. Last night was no exception.

Ryan Mullaney and Ashley Gray — Two fine singers teamed up to harmonize on “Desire” and the Gold standard “When the Stars Go Blue” (take that, Tim McGraw).

Wylie Hunter (Wylie Hunter & the Cazadores) — Back to Whiskeytown days with “Dancing With the Women at the Bar,” and Heartbreaker‘s “Be My Winding Wheel.” Really glad to hear both.

ChipNYNYChip Robinson (Backsliders) — He sat at the piano and covered “New York, New York,” reading lyrics he’d scribbled out by hand. Fascinating, weird and pretty great, made even moreso because he was wearing a Wu-Tang Clan T-shirt. I snagged the hand-written lyrics for my archive.

Debonzo Brothers — Jeff and Keef with another long-lost favorite, “Hey There, Mrs. Lovely” (yay!), plus Heartbreaker‘s “In My Time of Need.”

Be The Moon — And in the closing slot, this trio from Burlington offered up the resurrected Whiskeytown song “Am I Unstable.” It was fantastic, featuring box drum and an arrangement that Peter Blackstock’s memory placed in the ballpark of the original (which Whiskeytown only played live once, nearly 13 years ago).

All told, the event raised $579 for the Future of Music Coalition. I could not be happier, and prouder of everyone involved. Thanks to all the musicians, and especially to Deep South impressario Dave Rose for making it happen.

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Ryan Adams ain’t takin’ no crap

When it comes to negative feedback, whether it be bad reviews or audience heckling, Ryan has never been one to suffer in silence. That tendency was already well-established in 1997 when Ryan made his major-label debut with Whiskeytown’s Strangers Almanac, at which point he already had a reputation for being notoriously thin-skinned. More than once, I asked Ryan why criticism got to him so much.

RyanJD“We pay some attention to critics, try not to take it too much,” Ryan told me in the 1997 Strangers-era interview recounted in Chapter seven of “Losering.” “But when somebody has these preconceptions, hey, I can read and I’ve got a real big mouth and a microphone.”

Our lore is the richer for it, especially since microphones aren’t the only answer-back tools Ryan has utilized over the years. Chapter 13 details a number of Ryan’s tirades at critics who done him wrong, and probably the most infamous (or at least widely heard) was the voicemail he left for Chicago rock critic Jim DeRogatis after an unfavorable 2003 concert review. That recording has gone out far and wide over the years. And if you’ve never heard it, you can listen to it right here.

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