Posts Tagged With: Juliana Hatfield

It don’t rain in Indianapolis in the summertime…

DRAframedNot too long ago, I did a post about an “ASSESSMENT WRITTEN (BY) RYAN ADAMS, HIMSELF,”  in which Ryan purportedly summarized the worth of his own solo catalog in his inimitably self-deprecating style. It appeared to be a legitimate Ryan-penned artifact; and I am happy to report that it’s not only for real, but you can view the original item at an Indianapolis record store called Indy CD & Vinyl.

After hearing from a fellow who used to work at the store, I called up owner Annie Skinner to ask about it. She placed the date of origin as Aug. 3, 2006 — when Ryan played a nearby Indianapolis club called The Vogue with Juliana Hatfield.

“He stops by here pretty much every time he’s in town,” Skinner said. “And, um, he can be pretty messed up. (Note: Perhaps that accounts for the fact that Ryan claimed to be 33 years old at the time he wrote this, when he was actually only 31 in August 2006) I’m sure you know that Ryan will get into relationships with record-store clerks where he’s calling and sending stuff. There was one staff member here he became friendly with, a guy he put on the list for the show and even played a song for. That (self-assessment) was something he did for him.”

The Indy’s staff was kind enough to send along a picture of the framed document, which used to hang on the wall at the store until, alas, it fell and broke; note the bottom left corner of the frame. So they had to dig around a bit to find it. But anyway, here it is.

ADDENDUM (7/10/2016): Further record-store shenanigans in Minneapolis.

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Ryan Adams, Lemonheads, Juliana Hatfield, Mammoth Records: It all connects up

Writing and publishing “Losering” has been kind of like my own personal version of “This Is Your Life,” because it ties together so many threads from over the years. And revisiting my back pages via Ryan continues to yield up further examples of the Fundamental Interconnectedness Of All Things. Or maybe there really is only six degrees of separation between everyone on earth.

So when I moved to North Carolina in 1991, there were a handful of local labels in Chapel Hill. Most of them were glorified DIY operations started by bands to put out records by themselves and their friends. With one notable exception (more on that later), most of them didn’t last much longer than a few years.

But one Chapel Hill label that stood out back then was Mammoth Records. Where most denizens of the town’s indie-rock community talked a good game about keeping The Man at arm’s length, Mammoth clearly had the big time in mind. The label would do things like buy ads in the trade magazine Billboard, which was expensive and made little financial sense — but made a lot of sense in terms of brand-building.

In the early 1990s, Mammoth’s biggest act was the Blake Babies, a Boston guitar-pop trio fronted by rising “alternababe” star Juliana Hatfield. Mammoth founder Jay Faires would leverage having Hatfield on his roster into a distribution deal with the major label Atlantic Records (later going on to a career in film and television; curiously, his wikipedia entry makes no mention of Mammoth). Hatfield had a solid run as a solo act, but her career never took off commercially.

Back before she went solo, however, Hatfield also played bass in the early-’90s version of the Blake Babies’ Boston neighbors the Lemonheads, who earned a couple of gold records during the grunge era before dissolving in the late ’90s. Frontman Evan Dando revived the Lemonheads name again in 2005, with occasionally decent results. And now a proper Lemonheads reunion is underway with Dando, Hatfield and co-founder Ben Deily.

That leaves the group in need of a drummer, which brings us back to our friend Ryan Adams. Ryan took to Twitter last week to announce that he’s producing as well as playing drums on the new Lemonheads album, promising that it will be a return “to the punker sounds.”

One presumes this will be harder than the sharp pop of 1992’s “It’s a Shame About Ray” (still a favorite of mine from that era), or the song he did with Hatfield in 2008. But Ryan should be just the drummer for that. Back in 1991, the year I arrived in North Carolina, teenage Ryan was playing drums in a Jacksonville hardcore band called Blank Label. The group’s three-song single stands as Ryan’s first commercially released recording.

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