Posts Tagged With: Let It Ride

Final Four in the “BEST DRA SONG 2017”

The “BEST DRA SONG 2017” listener poll has gone pretty much exactly according to Hoyle, in that it’s now down to the last four songs — and all four No. 1 seeds have made it into the Final Four. I’d call that an indication of how solid a job that superfan poll-meister Christopher S. Bradley did with seeding the bracket and putting this thing together.

So anyway, it’s come down to “16 Days” from the Whiskeytown bracket matched up against the Ashes & Fire track “Dirty Rain” (winner of the 2011-Present bracket) in one semifinal; and in the other, the Cardinals’ Cold Roses track “Let It Ride” facing off against Heartbreaker bracket champion “Come Pick Me Up,” which only narrowly beat out “Oh My Sweet Carolina” in the Elite Eight round. I’m pulling for “16 Days” versus “Come Pick Me Up” in the final, because those two songs both come from the heart of my favorite “Losering” era. But we’ll see.

Voting for this round will close at 11:45 p.m. Wednesday (June 21). Vote here and check the updated bracket here, or below.

 

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Be my winding wheel

As we’ve covered, it’s been a mighty long time since I’ve seen Ryan Adams onstage. The last time was almost 11 years ago, when he came to Raleigh’s Meymandi Hall in June 2005 and played a tense, shambolic and kind of wonderful homecoming show that nobody realized was actually him saying goodbye. Maybe not even Ryan himself.

For whatever reason, Ryan has chosen to stay away from his old hometown and native state, to the point that he’s played every adjoining state within the past year — but not North Carolina. I’ve stayed away, too, not going out of my way to see a show of his elsewhere.

SXSW16Wednesday night, however, found both Ryan and me in Austin, Texas. And if I can’t see him play in Raleigh, seeing him play South By Southwest is probably the next best thing. Ryan was booked into a ballroom at the fancy new Marriott Hotel downtown, on a bill with (irony of ironies) that proudest of North Carolina acts, the Avett Brothers.

“It’s an honor to share the stage with an artist we all adore, Ryan Adams,” Seth Avett said during the Avetts’ opening set. Then he grinned a bit sheepishly as he continued. “Fellow North Carolinian. It’s been…a few years since he played there. But we still claim him.”

Ryan goes back 20 years with SXSW, which is where Whiskeytown had its big music-industry breakthrough show in 1996 — a night when Ryan was so nervous, he was almost too overcome with stage fright to play. Even so, that was the show that pretty much launched Ryan’s career, and he was a SXSW fixture for the next five years.

But Ryan hasn’t been back to SXSW since 2001, even longer than his North Carolina hiatus. So when the late-breaking announcement came that he’d be appearing this year, it seemed like a case of synchronicity that was just too good to pass up.

Of course I went, because how could I not? No, Ryan and I didn’t have any sort of showdown over “Losering.” I kept my distance, content with watching the show as just another face in the crowd. And how was it?

I’d rate it good, if also intermittently anticlimactic for me — which is okay. The show I’d like to see Ryan play does not interest him, just as his recent guises as jam-band guitar god and generic Bryan Adams acolyte don’t much interest me. That said, those songs were fine and earned an enthusiastic crowd response. Ryan’s between-song patter was also amusing as ever, if a tad grumpy.

“It’s none of the songs you like,” he said in response to whoops from the audience when he strapped on an acoustic guitar. “What show do you think you’re at? Crowd-pleasing Ryan Adams is at a different hotel.” The odd part was that this was preamble to 2001’s “New York, New York,” which is still the closest thing Ryan’s ever had to a hit single.

Nevertheless, there were three moments that kind of crushed me, still, all these years later. After commencing with “Gimme Something Good” for the umpteenth time (and after two years, it’s high time to retire this one as set-opener), Ryan swung into “Let It Ride.” A stately glide of a tune from 2005’s Cold Roses opus, “Let It Ride” has always been one of Ryan’s best mid-period solo songs. And I love that he still sings this line:

Tennessee’s a brother to my sister Carolina, where they’re gonna bury me
I ain’t ready to go. I’m never ready to go.

I couldn’t help but smile.

A few songs later came “Dear Chicago,” the farewell song to end all farewell songs. It’s been quiet and solo every other time I’ve seen Ryan play it, but this version was full-band electric. It transposed splendidly to a pop song, with an edge. Ryan is going through an apparently contentious divorce, and he seemed to put a little extra feeling into this line:

I think the thing you said was true.
I’m gonna die alone and sad.

Finally, Ryan strapped on his trusty red-white-and-blue Buck Owens acoustic guitar and shushed the chattery crowd long enough to play “Be My Winding Wheel” unaccompanied. It’s a song from 2000’s Heartbreaker, and all I can say is that it was exactly that — a defiant, foolhardy declaration from someone being left behind, who feels “just like a map, without a single place to go of interest.”

I misted up in spite of myself, thinking about what a long strange trip it’s been since those Whiskeytown shows way back when. My trusty pal Peter Blackstock shot a bit of video of “Winding Wheel,” and I’m glad we have this souvenir (he also reviewed the show here).

Ryan’s 14-song set didn’t have anything from Whiskeytown, which wasn’t surprising. That’s back in North Carolina, so…you know. Anyway, I was glad I went to see him again, after all this time. But I’m not sure when I’ll go again.

So buy a pretty dress. Wear it out tonight. For anyone you think could outdo me…

SETLIST
1 — “Gimme Something Good”
2 — “Let It Ride”
3 — “Stay With Me”
4 — “Dirty Rain”
5 — “Dear Chicago”
6 — “This House Is Not For Sale”
7 — “Everybody Knows”
8 — “Be My Winding Wheel”
9 — “Magnolia Mountain”
10 — “New York, New York”
11 — “Kim”
12 — “Cold Rose”
13 — “When the Stars Go Blue”
14 — “Peaceful Valley”

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“Losering: The Songs of Ryan Adams” — wish you were here

DMMCBack in Whiskeytown’s prime, I really wanted them to break through to widespread popularity, which seems a bit odd in retrospect. Sure, it would have been fun to watch from close range; but I can’t say why I was rooting for them beyond a vague belief that a large audience was going to provide some measure of validation. There was closure that only a large crowd singing along with “Sixteen Days” was going to provide.

Fittingly and belatedly, that happened last night, sort of. The fine folks at Deep South The Bar in Raleigh put together a tribute show inspired by my book, “Losering: The Songs of Ryan Adams,” and I got to emcee. And about halfway through the show, while members of the band Old Quarter were playing “Sixteen Days” — the song I thought was going to be Whiskeytown’s big breakout hit way back in 1997 — I was hollering along with everyone else in the soldout house and feeling chills about the experience.

Ghost has got me running
Away from you, away from you, awaaaaaay…

It was a truly wonderful night, very much a feeling of being among friends and fellow fans; as much a tribute to the milieu Ryan came out of as to Ryan himself. There were multiple highlights, some of which went like this:

Aaron Menconi, shortly before asking why he started that damn country band.

Aaron Menconi, shortly before asking why he started that damn country band.

The Equivocators — Featuring my dear friend Scott Huler, they kicked things off with three songs from Whiskeytown’s Faithless Street album; “Midway Park,” “Hard Luck Story” and the title track. When Scott got to the “started this damn country band” line, I coached my 18-year-old son Aaron to yell out, “Why’d you do that?”

David Teeter (from the band Martha Ann Motel) — He brought out a couple of more recent Ryan solo songs, “Shadowlands” and “Desire.” And to make the absent guest of honor seem more present, David also played the recording of the infamous Jim DeRogatis voicemail, a legendary moment in artist-critic relations. Guffaws all around.

Ryan Kennemur — Continuing in a humorous vein, Ryan gave a nod to Mr. Adams’ touchier side by belting out a bit of Bryan Adams’ “Summer of ’69.” Then he got down to business, and his versions of “Turn Around,” “Avenues” and especially “If He Can’t Have You” were outstanding.

John Booker and Rachel Hirsh (I Was Totally Destroying It) — Major props go to John, who did a fantastic job with booking the acts for this show. And he and his bandmate Rachel did great with four songs — “Everybody Knows,” “Call Me On Your Way Back Home,” “Don’t Be Sad” and “Firecracker.” There was an enthusiastic audience sing-along on the latter song, and John needled me a bit for not giving it and the rest of Ryan’s Gold album sufficient respect in the book. Touche! Danny Johnson, who plays in about a thousand other bands, sat in.

Bobby Bryson — I’d never heard Bobby before, and he might have played my favorite set of the night with stellar versions of “A Kiss Before I Go,” “Let It Ride” (also much audience singing along here) and “Carolina Rain.” He showed absolute command instrumentally as well as vocally, and I loved his stage presence. Afterward, he presented me with a business card carrying the slogan Songs that gently rip your heart out. I believe it.

DeepSouthCharles Marshall and Richard Bolton (Balsa Gliders) — They put a couple of Strangers Almanac-era Whiskeytown classics through some unusual paces, quieting down “Waiting to Derail” and rocking up “Avenues.” Very cool, inventive versions that they clearly put some thought into.

John Massengil, George Hage and Danny Johnson (Old Quarter) — The aforementioned “Sixteen Days” sing-along went over great. So did “Jacksonville Skyline” and a lovely reading of “Houses on the Hill.” Meg Johnson sat in on vocals (and also with Jack the Radio). Felt like being at the Brewery back in the day.

Jack the Radio — Speaking of sing-alongs, there was a raucous one on “Come Pick Me Up,” maybe the most exuberant of the night. “O My Sweet Carolina” and “Lucky Now” rounded it out.

Adam Lane and Jeff Mullins — Ryan Kennemur returned for an exceptionally sweet harmony vocal on “Desperate Ain’t Lonely” (which they rehearsed once, outside in the parking lot, and Ryan had to read the lyrics off his phone — perfect). They also offered up a couple of nice rarities, “Onslow County” and “Oh My Sweet Valentine,” which never fails to put a lump in my throat. Last night was no exception.

Ryan Mullaney and Ashley Gray — Two fine singers teamed up to harmonize on “Desire” and the Gold standard “When the Stars Go Blue” (take that, Tim McGraw).

Wylie Hunter (Wylie Hunter & the Cazadores) — Back to Whiskeytown days with “Dancing With the Women at the Bar,” and Heartbreaker‘s “Be My Winding Wheel.” Really glad to hear both.

ChipNYNYChip Robinson (Backsliders) — He sat at the piano and covered “New York, New York,” reading lyrics he’d scribbled out by hand. Fascinating, weird and pretty great, made even moreso because he was wearing a Wu-Tang Clan T-shirt. I snagged the hand-written lyrics for my archive.

Debonzo Brothers — Jeff and Keef with another long-lost favorite, “Hey There, Mrs. Lovely” (yay!), plus Heartbreaker‘s “In My Time of Need.”

Be The Moon — And in the closing slot, this trio from Burlington offered up the resurrected Whiskeytown song “Am I Unstable.” It was fantastic, featuring box drum and an arrangement that Peter Blackstock’s memory placed in the ballpark of the original (which Whiskeytown only played live once, nearly 13 years ago).

All told, the event raised $579 for the Future of Music Coalition. I could not be happier, and prouder of everyone involved. Thanks to all the musicians, and especially to Deep South impressario Dave Rose for making it happen.

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