Coming in 2017: “Woman Walk the Line”

With Lloyd Sachs’ “T Bone Burnett: A Life in Pursuit” safely launched, we turn to the next book in the American Music Series, which will be the 11th that University of Texas Press has published since 2012. And that’s “Chrissie Hynde: A Musical Biography,” by Adam Sobsey; we’ll have plenty more to say about it closer to the March 2017 publication date. Meanwhile, there’s also some American Music Series news beyond that.

Coming in the fall of 2017 is “Woman Walk the Line: Women Writers on the Female Country Artists Who Marked Their Soul,” which will be something of a departure for the series. Up to now, it’s been all critical biographies by a single author and about a single subject. But “Woman Walk the Line” is our first essay collection by multiple authors. Subjects include a wide range of artists from classic to contemporary — Rosanne Cash, Taylor Swift, Loretta Lynn, The Judds, Alison Krauss, Bobbie Gentry, Tammy Wynette — with Cash, Swift, Holly George-Warren and Meredith Ochs among the contributors writing about why these artists matter.

Overseeing “Woman Walk the Line” as editor is Holly Gleason — a long-time critic, author and Nashville insider who is also the only music critic I know with a co-writing credit for a No. 1 hit (Kenny Chesney’s 2008 country smash “Better as a Memory”). Between her connections, critical chops and deeply passionate writing voice, there’s no one better to edit a book like this.

“‘Woman Walk the Line’ came about because it feels like we’re not just in danger of losing the story of so many incredible artists, especially the women, but that deeper sense of what music can truly to mean to someone in their life,” says Holly. “The way this music and these women are written about says so much about the way music marks our lives, shapes our journey or keeps us safe in rugged times. It’s women of varying ages all writing about how music touched and changed their lives — part witness, part love letter, a bit of music criticism, a little history and a whole lot of heart. It’s more than what they wore or who they dated, as today’s reductionist media makes it. And that’s where the marrow of these essays begins.”

Launching “A Life in Pursuit”

Just in time for this week’s Americana Music Festival & Conference in Nashville — where T Bone Burnett is scheduled to deliver the keynote speech — dig our latest American Music Series title, which is about that very artist and penned by the estimable Chicago-based scribe Lloyd Sachs. Officially, “T Bone Burnett: A Life in Pursuit” won’t be published until after the calendar rolls over to October. But it’s already picking up reviews, and here is an excerpt.

Lloyd and my University of Texas Press editorial colleague Casey Kittrell will be in Nashville to unveil “A Life in Pursuit” with some events at the Americana festival (which was also where I launched “Losering” four years ago). This brings us to an even 10 titles for the series. Meanwhile, “A Life in Pursuit” should already be on the shelf of your favorite retail establishment wherever fine books are sold. And of course, you can order it online from the usual places.

ADDENDUM (9/23/2016): Here is Mr. Burnett’s Americanafest keynote address.

American Music Series pursues T Bone Burnett

Dig if you will the cover of our next University of Texas Press American Music Series entry, “T Bone Burnett: A Life in Pursuit,” written by the Chicago-based writer Lloyd Sachs and due out on hardback in October. Among other things, this is the first book we’ve put out that will have pictures as well as prose. And as a longtime T Bone fan who cherishes my autographed copy of Proof Through the Night (which Burnett signed Help fight Truth Decay for me many years ago), I am excited and honored to be a part of this one.

“A Life in Pursuit” has gone through a number of titles along the way, including the original working title “The True True Identities.” Its publication will make it an even 10 titles for the American Music Series since it started up in the spring of 2012; and we’ll get to 11 books with “Chrissie Hynde Up the Neck” in the spring of 2017. A few more books are in the early stages at the moment, and I can’t really say anything about them just yet. But they’re going to be very cool.

For now, I’m enjoying this handsome cover — and the fact that we’ve reached the double-digit milestone, with more to come.

 

 

You could look it up: T Bone Burnett also on the way for 2016

Madonna and Mary J. Blige aren’t all that’s coming from the American Music Series in 2016. Also now officially in the pipeline is a book on T Bone Burnett, the mystic auteur behind “O Brother, Where Art Thou?” and the Robert Plant/Alison Krauss collaboration Raising Sand, among many other Americana signposts. Scheduled for fall 2016 on University of Texas Press and tentatively titled “The True True Identity,” it’s written by the Chicago-based critic Lloyd Sachs. Upon receiving word this week that he had attained final approval (a process that can indeed be something of an ordeal), Lloyd marked the occasion as one does nowadays — on Facebook, with the post below. Congratulations, Mr. Sachs.

Hello in there: More From UT Press

“Ryan Adams: Losering, A Story of Whiskeytown” was published in the fall of 2012 as the second book in University of Texas Press’ American Music Series (following Don McLeese’s “Dwight Yoakam: A Thousand Miles From Nowhere”), and it’s taken a while for us to get it going. As originally envisioned, we’re supposed to be putting out four AMS titles a year — two every spring, two every fall. Some right fine books have come out on Merle Haggard in 2013 and the Flatlanders in 2014, but we haven’t been able to maintain that schedule. Finally, however, we’ve found our footing enough that the pace of publication is about to pick up.

First off, the next American Music Series book coming out will be “John Prine: In Spite of Himself” by my fellow North Carolina music journalist Eddie Huffman. The official publication date is March 15, and it’s our series’ first book to come out in a hardcover version (also, it’s the first with an actual photograph of the subject on the cover). I was one of this book’s primary editors and the process wasn’t always easy. As Eddie writes of me in the book’s acknowledgements, tongue planted firmly in cheek, “He and I are probably both glad he won’t have to ask me ‘How are the rewrites coming?’ next time we cross paths at Cat’s Cradle or the PNC Arena.”

But my peskiness and his hard work paid off with a book we’re all quite proud of. And so far, the early pre-release response has been gratifying indeed. “In Spite of Himself” picked up a very fine review in Publishers Weekly, which also named it one of this spring’s most-anticipated books. Kirkus weighed in with a nice review, too, and there are a number of other reviews and reading-type events in the works as well. Eddie’s blog will be the place to keep up with all of that, so bookmark it. I think Eddie did a fantastic job on this book, and I hope you’ll like it.

Beyond that, here’s what else is on the AMS schedule so far:

October 2015

“Don’t Suck, Don’t Die: Giving Up Vic Chesnutt,” by Kristin Hersh
“Los Lobos: Dream in Blue,” by Chris Morris

Spring 2016

“Madonnaland,” by Alina Simone
Mary J. Blige (title to come), by Danny Alexander

Fall 2016

T-Bone Burnett (title to come), by Lloyd Sachs

Spring 2017

Chrissie Hynde (title to come), by Adam Sobsey

To be scheduled

Tom Jones (title to come), by Jon Langford

The book on the list I’m most excited about is “Don’t Suck, Don’t Die: Giving Up Vic Chesnutt” by Kristin Hersh, leader of the band Throwing Muses and one of Chesnutt’s closest friends. I was blown away when I saw her manuscript because it’s spine-tinglingly brilliant, the best book of any sort I’ve read in years. Seriously, it gave me chills. I’m thrilled to be a part of that one, and I can’t wait for everyone else to read it.

Meanwhile, you might notice that yours truly is not on the AMS schedule anywhere. But I do have a book coming out on UT Press in October, one I think turned out really well. It’s called “Comin’ Right at Ya: How a Jewish Yankee Hippie Went Country, or, the Often Outrageous History of Asleep at the Wheel,” which I co-wrote with Asleep at the Wheel founder and guiding light Ray Benson. I’ll have more to say about this project later, but for now there’s a bit more about it here.