Posts Tagged With: Mountain Goats

Kissa me baby

CamRaleighAs a deejay, I think I’m a decent writer. Nevertheless, for the first time ever I’m going to give actual live, public deejaying a whirl this week at the Contemporary Art Museum in downtown Raleigh. As part of the museum’s current “Big Bent Ears” (which is billed as a “multimedia installation about listening,” showing at CAM until Dec. 3), exhibit co-curator Sam Stephenson is inviting different people to come in for guest-deejay shifts. My turn in the rotation will be 8-10 p.m. this Thursday, Sept. 24.

The guest-deejay part of “Big Bent Ears” is called Kissa, referring to the listening salons that originated in Japan in the 1950s. These deejay shifts have been happening at CAM since early June, tapping a wide range of guests including Whiskeytown alumni Steve Grothmann, Caitlin Cary and Skillet Gilmore, plus Branford Marsalis and members of Hiss Golden Messenger, Chatham County Line, Superchunk, Mountain Goats, CousinsArt of Cool and other local-music notables.

My playlist is still a work in progress, but I expect it will have a song or two from Asleep at the Wheel and Ryan Adams/Whiskeytown. And since the preferred Kissa medium is vinyl, I’m going to do my best to make my shift an all-vinyl experience. Not playing anything on compact disc will impose some limitations, of course. But as you can see from the picture at the bottom, at least I’ve got a decent amount of vinyl to draw from. Come on out…

EPILOGUE — and here’s what I ended up playing:

1 – Peter Case, “Steel Strings”
2 – Tift Merritt, “Mixtape”
3 – Marvin Gaye/Tammi Terrell, “Good Lovin’ Ain’t Easy to Come By”
4 – Pete Townshend, “Mary”
5 – dB’s, “Black and White”
6 – Vincent Guaraldi, “Cast Your Fate to the Wind”
7 – Josh Moore, “May It Ever Be”
8 – Don Henley, “Bramble Rose”
9 – Whiskeytown, “Heart Is Broken”
10 – Little Feat, “Easy to Slip”
11 – Asleep at the Wheel, “House of Blue Lights”
12 – Del Lords, “Love Lies Dying”
13 – Sly & the Family Stone, “Luv N’ Haight”
14 – Big Audio Dynamite, “Relativity”
15 – Kinky Friedman, “Sold American”
16 – Feelies, “Everybody’s Got Something to Hide (Except Me and My Monkey)”
17 – Spinners, “One of a Kind Love Affair”
18 – Ry Cooder, “She’s Leaving the Bank”
19 – China Crisis, “Wishful Thinking”
20 – Ryan Adams, “Magnolia Mountain”
21 – The Balancing Act, “Adventure”
22 – Let’s Active, “Counting Down”
23 – T-Bone Burnett, “Quicksand”
24 – The Lucy Show, “A Million Things”
25 – Peter Case, “Satellite Beach”
26 – Drive-By Truckers, “Heathens”
27 – Tift Merritt, “Papercut”
28 – Robyn Hitchcock, “Madonna of the Wasps”
29 – Sam Phillips, “Out of Time”
30 – R.E.M., “Perfect Circle”
31 – Ryan Adams, “Hey There Mrs. Lovely”

VinylStacks

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Jon Wurster’s voice carries

Jon Wurster is best-known as drummer for Superchunk, and he’s also played with Mountain Goats and Bob Mould in recent years. But he did a stint in Whiskeytown during the band’s late-’90s revolving-door period, including a semi-disastrous tour opening for John Fogerty in the summer of 1998. Jon shared some memories about it on his Facebook page last year under the self-deprecating tagline, “Career in Rock (I can’t believe I saved all this stuff),”  and also when I interviewed him for “Losering.”

“That tour with Fogerty had some rough moments because [Strangers Almanac] was so far in the past for Ryan and I don’t think he wanted to play those songs anymore,” Jon said. “It looked good on paper, Fogerty had done big business his previous tour with the old Creedence songs. Then he did this shed tour and there was not as much interest as they’d hoped. So we were playing in daylight in the middle of summer for crowds of 2,000 people old enough to be our parents finding their seats. It was too much for him.”

Never one to back down, Ryan took to bantering with hecklers at some of those ’98 Fogerty shows. It didn’t go well. “That worked about as well as yelling at your parents,” Jon said.

Jon’s a good egg, a very fine drummer and a sweetheart of a guy — a perfect combination of ability and affable comic relief — which is why he’ll always have work as a drummer. Plus he’s got mad style. Coming home from South By Southwest this past March, I came upon him getting a shoeshine at DFW airport and couldn’t resist snapping a picture (sorry about the blurriness, but that’s what you get when your camera is a crappy mobile phone).

As good a drummer as Jon is, however, it’s possible he’ll ultimately make a bigger mark in the world of comedy. He first got my attention as a comic back in 1999 when he played the role of clueless rock critic Ronald Thomas Clontle on “Rock, Rot and Rule,” arguably the greatest phone prank of all time. Thirteen years later, Jon and partner-in-crime Tom Scharpling are still doing radio comedy, earning accolades like “punk geniuses.”

This past June, Jon caused a minor sensation when he witnessed a flight attendant freaking out on a grounded flight at New York’s LaGuardia Airport and filed hilarious dispatches via Twitter and Facebook (and if you’re not his Facebook friend, you really should be because there’s nobody funnier to have in your news feed). That landed him on multiple media outlets to recount the story, which was hugely entertaining.

Jon’s latest gambit is even better, playing douchebag boyfriend “Denny Rock” in Aimee Man’s new video — which is a remake of her 1985 Til Tuesday video “Voices Carry.” It also stars “Mad Men” star Jon Hamm, lookin’ smarmy as “video director Tom Scharpling.” Maybe you have to know Wurster for it to register, but this just about put me on the floor the first time I watched it. Whatever he does next, the one thing you can count on is that it will be something hilarious.

ADDENDUM (7/19/2014): Speaking of hilarious, I was able to convince the paper’s editorial braintrust to let me do a Tar Heel of the Week profile on Jon, in advance of Merge 25.

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