Posts Tagged With: Paul Jones

Next up: “The Big Book of North Carolina Music”

ncblueNot quite a year ago, I found myself at an industry convention gathering with some of my rock-writing peers, doing what we all do at these things — swapping stories, telling lies and catching up about projects we had in the works, real as well as imaginary. Talking to another writer I knew, I mentioned that I was working on a book proposal for a history of North Carolina music. His reaction was…surprising.

“Yeah,” he scoffed, “that’ll be a short book.”

Words were exchanged, some of them unpleasant; no, it didn’t go especially well. But almost a year later, I am pleased to report that this “short book” has taken a major step from abstraction to reality. I’ve come to terms and shaken hands with University of North Carolina Press for a book with the working title “The Big Book of North Carolina Music,” which will have a format similar to UNC Press’ 2008 best-seller “Holy Smoke: The Big Book of North Carolina Barbecue.”

uncpressWhile this won’t be an encyclopedic A-to-Z history of North Carolina music, my “Big Book” will cover a lot of ground in its 16 chapters — from Charlie Poole in the 1920s to “American Idol” nearly a century later, with Blind Boy Fuller and Rev. Gary Davis, Arthur Smith, “5” Royales, Doc Watson and Earl Scruggs, the dB’s and Let’s Active, Superchunk and Squirrel Nut Zippers and Ben Folds Five, Nantucket and Corrosion of Conformity, beach music, 9th Wonder and J. Cole and more in between. It should come in at close to double the heft of my Ryan Adams book “Losering”; and while that still isn’t nearly as long as it could be, it’s nevertheless the most ambitious book project I’ve ever taken on.

But the beauty part is I’ve already been working on this book, piecemeal, for more than a quarter-century. I moved to Raleigh in 1991 to take the News & Observer music-critic job, and my first day was Jan. 15 — two days before Operation Desert Storm started in Kuwait. That was a time when the Worldwide Web wasn’t much more than a gleam in Paul Jones’ eye, back when most people still got their news by reading it on paper or watching the 6 o’clock news.

I must confess that I didn’t come here thinking the News & Observer would be a long-term destination, but it just worked out that way. Back when newspapers were still prosperous, the desired career trajectory was to spend five years or so at a mid-sized paper like the N&O before trying to move up to the New York Times or some other prestige publication. For a variety of reasons, that never happened. Most of the opportunities that came my way over the years felt like they would have been lateral moves rather than upward ones, although I did get a call from the Washington Post in 1999. But that was right after the birth of my twins, Edward and Claudia. At that moment, starting over in a big city was just not in the cards.

So I stayed in Raleigh and I’ve never regretted it, in large part because North Carolina music turned out to be fascinating and beguiling in ways I never imagined before I lived here. When I arrived, I was fairly well-versed in the North Carolina music I’d heard from afar on college radio — Connells, Let’s Active, Flat Duo Jets and such — without knowing much of anything about the history from farther back. So I’ve spent my years here filling in the history, bit by bit, learning as much as I could about North Carolina’s wildly varied music.

Despite the many variations of this state’s music, I do see all of it as of a piece and part of the same continuum — and “The Big Book of North Carolina Music” will, I hope, tie it all together as one story. I’ve spent the past few months going through my archive of stuff to get it organized (see below), and now begins the real work. TBBoNCM will be my side-project for the next two years, the thing keeping me up late nights and weekends and days off. If all goes according to plan, it will be done and dusted by the end of 2018, with publication to follow in 2019. Fingers crossed!

And yeah, whenever it’s done: I’ll be sending an autographed copy to that colleague.

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Reading rainbow

Photo courtesy of Kevin Currin

Major thanks to everyone who came out for the first two “Losering” readings, this past Thursday at Quail Ridge in Raleigh and Friday at Flyleaf in Chapel Hill. They were both lovely events with attentive audiences, especially Quail Ridge, although that night got off to a somewhat unpromising start. I read a passage, which seemed to go over well enough, and then I asked for questions. The only person to raise a hand was a young man who apparently thought I was Ryan Adams.

Ummm…!

The thought flashed through my mind that this was going to be a long night — or, worse, a very short one. Fortunately, as I tried to explain that I just wrote a book about Ryan and could take no credit for his songs, I spied a rock star in the house. Bless his heart, Mr. Kenny Roby showed up; I was surprised and touched to see him there. So I gave Kenny a shout-out and a plug for his show the next night.

After that, the next hour flew by with lots of fine and thoughtful questions about the book and Whiskeytown and Ryan, leaving just enough time for me to sign a stack of books in a flurry before closing time. My great and loyal friend Scott Huler also threw an after-party where his band the Equivocators played a few Whiskeytown songs including “Faithless Street” and “Midway Park.” It was truly, truly awesome, and a big honor — a night I’ll never forget.

Photo courtesy of Jonathan Lee

Friday night at Flyleaf didn’t draw quite as big a crowd; didn’t help that the heavens opened up just before showtime. But there was still a nice nucleus of folks — including Glenn Boothe, owner of Chapel Hill’s Local 506, a club where I saw Ryan play one of his best-ever solo shows in October 1999 (recounted in chapter 11 of the book); Steve Balcom, who used to run the aforementioned Mammoth Records, where the Backsliders recorded back in the day; and noted computer guru/poet Paul Jones. My American Music Series co-editor Peter Blackstock did the introduction, and I was glad to have him there.

The next readings will be Thursday (Oct. 4), at UNC-Chapel Hill’s Bull’s Head at 3:30 p.m. followed by The Regulator in Durham at 7 p.m. So if you’re over that way, please do come out and say hey.

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