Chris Stamey has always been one of those six-degrees-of-separation types in North Carolina, where it seems like he’s produced, mixed, worked and/or played with just about everyone in the state over the past 30-plus years. He made his initial reputation in the early ’80s with the dB’s (a band that has always had Beatles-like stature in my personal college-radio cosmos) before going on to a long and well-respected career in some of the artier circles of New York new-wave art-pop.
Then he came back home to North Carolina in the early ’90s, setting up shop in Chapel Hill as a studio guru and working with notable area acts including Tift Merritt, Megafaun and, yes, Whiskeytown. Stamey produced numerous Whiskeytown recordings back in the day, including the “lost” album Forever Valentine. He also worked on the sonic overhaul of the 1998 reissue of Faithless Street and produced Caitlin Cary’s post-Whiskeytown solo albums.
Stamey has spent a lot more time producing other folks’ albums than putting out his own music for the last decade, although he did find time for the first original-lineup dB’s album in 30 years last year. But he just released his first solo album since 2005, the very fine Lovesick Blues. For more on that, go here for links to a new interview and a 2004-vintage feature about Stamey’s doings.
And just to tie all this together, this poster was done by Caitlin Cary’s husband.