“Step It Up and Go” is subtitled “The Story of North Carolina Popular Music” rather than “The History” for a number of reasons. The biggest is that it’s not a comprehensive A-to-Z history, which seemed like too much to bite off for the amount of space I had. I was less interested in doing a Wikipedia-styled encyclopedia trying to cover everything than in telling a story where I could give each subject some room.
To that end, it unfolds in episodic fashion with 16 chapters covering about a 100-year timeline. Don’t tell UNC Press this, because they have a no-memoir policy — but yeah, it’s kind of a memoir of my decades covering music across North Carolina for the Raleigh News & Observer.
After coming here 30 years ago knowing little about North Carolina beyond Doc, Earl, The dB’s and Let’s Active, I came to regard the state’s musical history as one large and ongoing story with a through-line of hard-headed blue-collar practicality linking disparate styles — rock, soul, blues, bluegrass, country, jazz and all the rest. Raleigh writer Tracy Davis picked that idea up and ran with it in a very nice feature/interview in the current issue of Raleigh’s city magazine Walter. I’m grateful to her for taking the time, and to Walter for including so many pictures from the book. It starts on page 74 of the September issue.
Also related to “Step It Up and Go” is a feature I wrote myself for the current issue of Our State magazine. “Buskers and Music at the Crossroads” is about some of the historically significant busking spots across North Carolina, where acts including Blind Boy Fuller, Doc Watson, Avett Brothers and Charlie Poole earned their pre-fame performance stripes playing for the pocket change of people passing by. The story starts on page 158 of Our State’s September issue.